Radio 1 Established 1967 | Discography | Robbie Williams Database

Edition Info

Title

Radio 1 Established 1967

Release Date

1 Oct 2007
Format

Album
Record Label

Universal Island Records
Catalog Number

5302508
Area

United Kingdom
Total Tracks

40
Total Duration

02:25:05

Tracklist

Disc 1

1. Flowers in the Rain 03:01
2. All Along the Watchtower 03:57
3. Cupid 03:21
4. Lola ft. Robbie Williams 04:11
5. Your Song 03:58
6. Betcha by Golly, Wow 03:37
7. You're So Vain 04:09
8. Band on the Run 05:07
9. Love is the Drug 03:50
10. Let's Stick Together 03:03
11. Sound and Vision 03:07
12. Teenage Kicks 02:45
13. Can't Stand Losing You 04:08
14. Too Much Too Young 02:05
15. Under Pressure 03:52
16. Town Called Malice 02:55
17. Come Back and Stay 03:44
18. Careless Whisper 03:34
19. The Power of Love 03:24
20. Don't Get Me Wrong 03:54

Disc 2

1. You Sexy Thing 04:05
2. Fast Car 03:08
3. Lullaby 04:18
4. Englishman in New York 04:04
5. Crazy for You 04:20
6. It Must Be Love 03:57
7. All That She Wants 02:34
8. You're All I Need to Get By 03:12
9. Stillness in Time 03:45
10. No Diggity 03:22
11. Lovefool 03:41
12. Ray of Light 04:13
13. Drinking in LA 03:34
14. The Great Beyond 04:41
15. Teenage Dirtbag 03:49
16. Like I Love You 03:33
17. Don't Look Back into the Sun 02:49
18. Toxic 03:16
19. Father and Son 04:01
20. Steady as She Goes 03:01

About this Release

BBC Radio 1 Established 1967 was released in 1997 to mark the 30th anniversary of the station’s launch. The compilation featured contemporary artists covering songs that had been significant in the year Radio 1 began broadcasting.

Robbie Williams contributed a cover of The Kinks’ All Day and All of the Night. Recorded during the early phase of his solo career, the track adopts a guitar driven arrangement that reflects the Britpop influenced sound associated with Life Thru a Lens.

The project was conceived as both a celebration of British pop history and a showcase for leading artists of the 1990s. Williams’ participation positioned him within a broader lineage of UK guitar music at a formative moment in his solo trajectory.

The album achieved commercial success in the UK, and Williams’ contribution stands as one of several non album recordings he made during his late 1990s breakthrough period.